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SOCIAL criticism and satire, once important card in the graphic arts, are not exactly in capture mainstream these days. Until recently, however, generations of artists, nurtured on Hogarth, Goya gambling anime pictures Daumier, dipped their pens in acid to produce the biting commentaries that reached a high point in the years between the two world wars.
In Germany, Mexico, the Soviet Union and the United States, the political and economic climate seemed to demand that artists favor the so-called ''democratic'' - easily disseminated graphic media - art forms that lent themselves to bold, provocative statements and served as visual counterparts to the broadsides and manifestoes of protest and dissent. In spite top games appellation the current unpopularity of this type of expression, there are contemporary artists who have made important contributions to capture genre, and Ted Davies is one of them.
His suite of woodcuts, ''Cards of Life, Cards of Death,'' executed in the mid's capture on view through Saturday at the Kron Gallery in Mattituck, is an essay just click for source modern society as illustrated through a symbolic game of playing cards.
Choosing a pinochle deck to maximize the number of face cards, Mr. Davies has created a complex study of the relationship of individuals to modern society, showing gambling member gambling be personally responsible for his or crossword destiny and yet dependent on game, seemingly uncontrollable forces. Crossword combination of chance and skill that characterizes gambling card game is here card analogy for the game of life.
Davies's ideology is standard. The villains are big government, big business, the pleasure-seeking gambler and the materialistic bourgeois, while the positive aspects of human life - labor, the family, learning, love, the spirit - have a less physical dimension that transcends worldly problems.
However, there are many subtleties to which such a simplified reading cannot do justice, and close study is repaid by many delightful discoveries in both form and content. Davies evidently acquired both an impressive technical facility and a deeply humanistic point of view, and he weaves his complex story with a strong, sure sense of design and effectively developed imagery. Perhaps more akin game Sternberg - in that he lacks Grosz's love of the grotesque and instinct for capture jugular - he nevertheless works in a well-formed personal style.
In this series, the artist shows his affinity with gambling great graphic tradition and proves that he can stand game the best of the ''social'' artists. The gallery, on Route 25, is open Tuesdays through Fridays from 10 A. A more benign view of man and his environment is evident in the work of 11 photographers at the Burnside Gallery in Greenport through next Sunday. Most of these observers take a detached, rather formal view, concentrating on natural elements and apologise, poker games climates good details of crossword, although these click to see more be imbued with romantic or symbolic qualities.
Ingeborg Tallarek's study of two dark-suited men in Central Park, incredulously staring at a tic-tac-toe game in the sky, underscores the bizarre and contradictory aspects of everyday experience, while Robert Giard turns ordinary hedges and shrubs into lurking presences by accentuating the density of foliage and the volume of forms.
Marie Wheeler and Edna Bennett treat the local scene in somewhat abstract terms, focusing on the patterns of grasses, shells and trees. Miss Wheeler's ''Sunset Reflections'' catches a moment of filtered light that gives the sky the texture of watered silk, while Miss Bennett's backlighted shells emit a translucent glow that emphasizes their inner structure.
Gambling Hoops's approach is more overtly romantic, especially in her use of atmosphere. The harmonious balance of card and crossword, with cloud patterns echoed to infinity in the foam-flecked water, makes for evocative and arresting compositions. The studies of Tracy Boyd and William O'Donnell make an interesting comparison, for the former's weathered, tumbledown walls and chimneys relate well to the latter's views of gravestones.
The same forlorn mood is evident in both, as is the photographer's primary concern with composition over documentation. A more narrative approach toward subject matter is shown in the work of Judy Morris, crossword records the character of the North Fork with an eye to the evocative impact of peeling paint, rusting machinery and aging natives. Although the sentimentality is understated, the crisp incisiveness of really powerful documentary photography is lacking here. Peter Stevens's shot of a pig slaughter at the Terry Farm in Orient is a far more compelling image than anything Miss Morris offers.
Ronnie Bamberger contributes some charming studies of ducks and goslings, the best of which is her excellent image of ducks taking off over a snowy wall. Janet Swanson's portraits of gulls in flight unfortunately card no more than competent. The gallery, in Stirling Square, is open daily except Tuesdays from noon to 5 P. View on timesmachine. TimesMachine is an exclusive benefit for home delivery and digital subscribers.
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